Collection Title: Interview series : What is performance studies?
Title: Interview with Barbara Browning
Alternate Title: Barbara Browning
Date: 2002 Oct. 2
Location: Filmed in New York, NY, on October 2, 2002.
Work Type: Interview.
Credits:
Hemispheric Institute of Performance and Politics, producer.
Cast/Performers:
Barbara Browning, interviewee ; Diana Taylor, interviewer.
Run-time (hh:mm:ss): 00:09:57
Language: English
Synopsis: Interview with Barbara Browning, conducted by Diana Taylor, director and founder of the Hemispheric Institute of Performance and Politics. This interview is a part of a series curated by the Hemispheric Institute, articulated around the question 'What is Performance Studies?' The series aims to provide a multifaceted approach to the often difficult task of defining the coordinates of both a field of academic study as well as a lens through which to assess and document cultural practice and embodied behavior. The contingent definitions documented in this series are based on the groundbreaking experiences and the scholarly endeavors of renowned figures in contemporary performance studies and practice.Barbara Browning is Associate Professor of Performance Studies at New York University. She previously chaired the Performance Studies Department. She received her Bachelor's, Master's and Doctoral degrees in Comparative Literature from Yale University. In 1983 she was awarded a Fulbright fellowship for the study of popular literature in Salvador, Bahia, Brazil. Also trained as a dancer, Dr. Browning published her first book, Samba: Resistance in Motion, winner of the de la Torre Bueno Prize for an outstanding work of dance scholarship, in 1995. She went on to write Infectious Rhythm: Metaphors of Contagion and the Spread of African Culture, which was published in 1998. Her articles have appeared in anthologies, as well as such publications as Dance Research Journal, TDR, Dance Chronicle, and Women & Performance. She serves on the boards of directors of both the Congress of Research on Dance and the Society of Dance History Scholars. Dr. Browning is also a member of the editorial board of Women & Performance and the advisory board of DRJ. Her practical training in Brazilian dance was greatly amplified during her Fulbright year in Bahia and led to her further study, instruction, and performance of Brazilian dance in Brazil, the United States, and Europe. She performed for several years with both the Loremil Machado Afro-Brazilian Dance Company and Silvana Magda's Viva Bahia. While no longer performing professionally, she continues to merge practical engagement of body practices with her scholarly work, which broadly addresses performance and politics in the African diaspora.
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