Collection Title: Hemispheric Institute Encuentro:Globalization, migration and the public sphere(3rd : 2002 : Lima, Peru).
Title: Grupo Cultural Yuyachkani
Alternate Title: Músicos ambulantes
Alternate Title: Traveling musicians
Date: 2002 July 7
Location: Performed in Lima, Peru, on July 7, 2002, as part of the Third Annual Hemispheric Institute Seminar entitled Globalization, Migration and the Public Sphere.
Work Type: Performance., Theater., Musical theater., Folklore Peru., Peruvian performance., Popular theater.
Credits:
Hemispheric Institute of Performance and Politics, producer ; Grupo Cultural Yuyachkani, producer, creator ; Miguel Rubio, director ; Raúl Gallegos, videographer ; Nadia Baram, videographer ; Fidel Melquíades, technical designer.
Cast/Performers:
Teresa Ralli, Augusto Casafranca, Débora Correa, Ana Correa, Julián Vargas, Amiel Cayo.
Run-time (hh:mm:ss): 01:13:07
Language: In Spanish.
Synopsis: Video documentation of Grupo Cultural Yuyachkanis performance Los Músicos Ambulantes (Traveling Musicians) presented as part of the 3rd Encuentro of the Hemispheric Institute of Performance and Politics, celebrated in July of 2002 in Lima, Peru under the title Globalization, Migration and the Public Sphere. In this performance, Yuyachkani is an exploration of Perus rich folkloric traditions, using animal masks and music, humor and a child-like concept of a farm animal cosmos to tell the parable about four aging domestic animals that run away and form a quartet rather than be put out to pasture or face the butcher's block.Based on Luis Enríquez & Sergio Bardottis Los Saltimbanquis and the Brothers Grimms classic fairy tale The Town Musicians of Bremen, the performance tells the story of the journey of four musician animals from four different regions of Peru: an Afro-Peruvian hen ('La Plumosa'), a donkey from the Southern plains ('El Burro'), a cat from the rainforest region ('La Michicha'), and a dog from the Northern coastal area ('El Chusco'). The animals abandon their hometowns in search of their dreams in the capital city; upon meeting each other along the way, and after many adventures and exploits, they decide to form a music group, the Músicos Ambulantes (Traveling Musicians), and to tour the country telling their multiethnic story. The resulting performance, by now a classic piece in Yuyachkanis repertoire (performed since 1983), is a popular musical theater celebration of Peruvian cultural and ethnic diversity.Perus most important theatre collective, Grupo Cultural Yuyachkani has been working since 1971 at the forefront of theatrical experimentation, political performance, and collective creation. Yuyachkani is a Quechua word that means I am thinking, I am remembering; under this name, the theatre group has devoted itself to the collective exploration of embodied social memory, particularly in relation to questions of ethnicity, violence, and memory in Peru. The group is comprised of seven actors (Augusto Casafranca, Amiel Cayo, Ana Correa, Débora Correa, Rebeca Ralli, Teresa Ralli, and Julián Vargas), a technical designer (Fidel Melquíades), and an artistic director (Miguel Rubio), who have made a commitment to collective creation as a mode of theatrical production and to group theatre as a life style. Their work has been among the most important in Latin Americas so called New Popular Theatre, with a strong commitment to grass-roots community issues, mobilization, and advocacy.Yuyachkani won Perus National Human Rights Award in 2000. Known for its creative embrace of both indigenous performance forms as well as cosmopolitan theatrical forms, Yuyachkani offers insight into Peruvian and Latin American theatre, and to broader issues of postcolonial social aesthetics.
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Copyright Holder: Hemispheric Institute of Performance and Politics
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