Collection Title: Hemispheric Institute Encuentro:Performing heritage : contemporary indigenous and community-based practices(5th : 2005 : Belo Horizonte, Brazil).
Title: Interview with David Pleasant
Alternate Title: David Pleasant
Date: 2005 Mar. 14
Location: Interviewed on Mar. 14, 2005, as part of the Hemispheric Institute's 5th Encuentro in Belo Horizonte, Brazil.
Work Type: Interview.
Credits:
Hemispheric Institute of Performance and Politics, producer ; Universidade Federal de Minas Gerais (UFMG), producer ; Amma Ghartey-Tago, videographer.
Cast/Performers:
David Pleasant, interviewee ; Tavia Nyong'o, interviewer.
Run-time (hh:mm:ss): 00:18:00
Language: English
Synopsis: David Pleasant is a musical stylist who was raised in the Gullah/Geechee culture of Georgia (Sapelo Island, Darien/McIntosh County and Savannah). His work is driven by the wealth of African retention in Gullah culture, particularly juba, hand jive, pattin', rhappin' and shout, which have played a major role in the development of David's RiddimAthon!®, a performance and teaching method developed from a synthesis of African, Caribbean and African American musical traditions. As a Fulbright Senior Specialist, he presents international programs and lectures on the subject. His work has been featured in theater, dance and television, and he was featured in the award winning musical 'Crowns' by Regina Taylor. In this interview, conducted by Tavia Nyong'o at the Hemispheric Institute's 5th Encuentro (Belo Horizonte, Brazil, 2005), David talks about how he began playing percussion, demonstrates the rhythms he uses in his work, and how these shape daily Gullah life. These African-American beats include polyrhythm, call & response, pitched hand claps, syncopation, improvisation, concurrent percussion, and others that exist in much of American popular music. He also discusses 'Language of the Soul,' the show he had performed at the Encuentro a few days before the interview.
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Copyright Holder: Hemispheric Institute of Performance and Politics
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