Collection Title: Jesusa Rodríguez & Liliana Felipe : El Hábito collection
Title: Trucho
Date: 2003 Jan
Location: Performed at Teatro Bar El Hábito, Mexico City, Mexico, in Jan. 2003.
Work Type: Performance., Music., Concert., Cabaret., Political performance., Feminist performance.
Credits:
Jesusa Rodríguez, producer, director ; Liliana Felipe, producer, director, music director.
Cast/Performers:
Liliana Felipe, protagonist, singer ; Jesusa Rodríguez, guest singer.
Run-time (hh:mm:ss): 01:16:10
Language: In Spanish.
Synopsis: Concert by Liliana Felipe, presenting the release of her album Trucho. 'Trucho,' an Argentinean adjective meaning 'pirate,' 'illegal,' 'precarious,' 'devalued' or 'false,' encapsulates Felipe's critique on current hemispheric sociopolitical issues, while dedicating her songs to the 'nobodies' (the dispossessed, the disempowered) of Latin America. Songs like 'Como Madame Bovary,' 'Pobre gente,' 'Soñé,' 'La extranjera,' 'Si por el vicio,' 'Tertuliano,' 'Memoria Mnemosina,' 'No te lo puedo decir,' 'Las histéricas' and 'Tienes que decidir,' among others, are performed and commented by Felipe; the encore features Jesusa Rodríguez singing with Felipe a theatrical and comical version of a traditional Mexican huapango. The singers play with diverse vocal registers along with the syllables that form the name of the volcano Popocatepetl, putting the revered song on its head.The couple then sings 'Mujeres del campo,' a hymn composed for a series of workshops conducted with indigenous Mexican peasant women in the summer of 2002. Felipe ends the concert with the tango 'Lo que vos te merecés' by request of her audience, which that night included writer Elena Poniatowska, publicist Berta 'la Chaneca' Maldonado, curator Montserrat Pecanins, actress Ofelia Medina, and deputy Beatriz Paredes, among other renown intellectual, artistic and political figures of current Mexico City public sphere. Mexican director, actress, playwright, performance artist, scenographer, entrepreneur, and social activist Jesusa Rodríguez has been called the most important woman of Mexico. Often referred to as a 'chameleon,' Rodríguez moves seemingly effortlessly and with vigor across the spectrum of cultural forms, styles, and tones.Her 'espectáculos' (as both spectacles and shows) challenge traditional classification, crossing with ease generic boundaries: from elite to popular to mass, from Greek tragedy to cabaret, from pre-Columbian indigenous to opera, from revue, sketch and 'carpa,' to performative acts within political projects. Humor, satire, linguistic play, and the body are constants in her productions. She seeks to render corporal and, thus, visible, the tensions between the discourses in operation on and through the individual and collective body. Rodriguez's energy is intense and her commitment non-negotiable, always interrogating the nature, site, and consequences of power and its representation. Liliana Felipe, one of Latin America's foremost singers and composers, was born in Argentina in the 1950s. She left for Mexico just before the outbreak of the 'Dirty War' (1976), but her sister and brother-in-law were both 'disappeared'--victims of the military dictatorship's criminal politics.Liliana's music has a wide following in Latin America. She continues to be a powerful presence in Argentina, working with human rights organizations--especially H.I.J.O.S. (the organization of the children of the disappeared). In Mexico, Liliana went to one of Jesusa Rodríguez's performances. Jesusa, catching a glimpse of Felipe in the audience, remembers saying to herself: 'I am going to die with that woman.' Since then, Liliana and Jesusa have created two performance spaces, El Cuervo and later El Hábito in Coyoacán, Mexico City, that they still run. They 'married' in February 2000. El Hábito (www.elhabito.com.mx) is a hotbed for intellectuals, feminists, gay rights activists and open-minded, progressive people who want to be engaged by a smart and critical humor. In this off-off space, and with the collaboration of their theater cooperative Las Divas, Jesusa y Liliana have produced hundreds of shows since the 1980s.
"Materials of the Hemispheric Institute Digital Video Library are protected by copyright. They may not be copied, downloaded, or reproduced. The owner of this work has granted NYU Libraries non-exclusive rights to include this material in the Hemispheric Institute Digital Video Library and to make it accessible to the public for educational and research purposes. Requests to purchase or for permission to use the work should be directed to the owner."
Copyright Holder: El Hábito
Contact: Jesusa Rodríguez, Liliana Felipe
Address:
Jesusa Rodríguez
Liliana Felipe
Madrid 13
Coyoacán, México D.F., 04100
Email: resistenciacreativa@gmail.com
Website: http://www.elhabito.com.mx/