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Number of results found for Diamela Eltit : 32
Alt Title(s): Diamela Eltit
Location: Interviewed in Buenos Aires, Argentina, on June 16, 2007, as part of the Sixth Annual Hemispheric Institute Seminar entitled Corpolíticas en las Ámericas / Body Politics in the Americas : formations of race, class and gender.
Synopsis: Interview with Diamela Eltit, conducted by Carmen Oquendo-Villar as a part of the 6th Encuentro of the Hemispheric Institute of Performance and Politics, celebrated in June of 2007 in Buenos Aires, Argentina under the title 'CORPOLÍTICAS en las Américas: Formaciones de Raza, Clase y Género / Body Politics in the Americas: Formations of Race, Class and Gender' (http://hemi.nyu.edu/eng/seminar/2007...
Alt Title(s): Diamela Eltit, Entrevista con Diamela Eltit
Location: Filmed in New York City at the Hemispheric Institute of Performance and Politics on December 15, 2011.
Synopsis: Interview with Diamela Eltit, conducted by Diana Taylor, founding director of the Hemispheric Institute of Performance and Politics. This interview is a part of a series curated by the Hemispheric Institute, articulated around the question 'What is Performance Studies?' The series aims to provide a multifaceted approach to the often difficult task of defining the coordinates of both a field of ac...
Alt Title(s): Zone of pain
Collection Title(s): Hemispheric Institute archive
Location: Filmed in Santiago, Chile, in 1980.
Synopsis: Diamela Eltit is a distinguished Chilean performance artist, novelist and cultural critic. Winner of the Guggenheim Fellowship and numerous other awards and appointments, Eltit was a member of the acclaimed Colectivo de Acciones de Arte (CADA), a Chilean activist group of artists who used performance to challenge Pinochet's dictatorship in Chile. She has been an important cultural presence during...
Alt Title(s): Pliegues del cuerpo: los síntomas del poder, Folds in the body: the symptoms of power
Location: Address given in Buenos Aires (auditorium, Buenos Aires Design), Argentina, on June 15, 2007, as part of the Sixth Annual Hemispheric Institute Seminar entitled Corpolíticas en las Ámericas / Body Politics in the Americas : formations of race, class and gender.
Synopsis: Video documentation of Diamela Eltits keynote address, Pliegues del cuerpo: Los síntomas del poder (Folds in the Body: The Symptoms of Power), presented as a part of the 6th Encuentro of the Hemispheric Institute of Performance and Politics, celebrated in June of 2007 in Buenos Aires, Argentina under the title CORPOLÍTICAS en las Ámericas: Formaciones de Raza, Clase y Género / Body Politics in th...
Alt Title(s): Diamela Eltit: 30 años del 'NO+' de CADA
Location: Recorded on October 1, 2009.
Synopsis: In this introduction to the 30-years celebration of the first public CADA’s ‘acción,’ Diamela Eltit reads a text in which she highlights the political relevance of this collective in relationship with the Chilean dictatorship, and the hegemonic cultural domination against which CADA performed. CADA’s ‘acciones de arte’ functioned as an archive and artwork simultaneously. Their members wanted to m...
Alt Title(s): Colectivo Acciones de Arte: group portrait, 1979
Location: Filmed in Santiago, Chile, in 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the 'Escena Avanzada', CADA incorporated strategies of theatricality and performance as an essential element to all its 'art actions', while questioning the practices and institutions of all politics and con...
Alt Title(s): For not dying of starvation in art: video/action on art and politics (production notes), C.A.D.A: video-accion sobre arte y politica
Location: Filmed in Santiago, Chile, on Oct. 3, 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): NO mas (unedited footage II), NO more (unedited footage II)
Location: Recorded in Santiago, Chile, circa 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): NO mas (unedited footage III), NO more (unedited footage III)
Location: Recorded in Santiago, Chile, circa 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): NO mas (unedited footage I), NO mas, Septiembre 1983, NO more (unedited footage I)
Location: Recorded in Santiago, Chile, circa 1979 or 1983.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): ¡Ay Sudamérica!: video/action on art and politics
Location: Recorded in Santiago, Chile, on July 12, 1981.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): ¡Ay Sudamérica!: video/action on art and politics (video installation material)
Location: Recorded in Santiago, Chile, in 1981.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): ¡Ay Sudamérica!: video/action on art and politics (scrolling of performance synopsis : English version), C.A.D.A: video/action on art & politics
Location: Recorded in Santiago, Chile, on July 12, 1981.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): NO mas: the making of, Making of NO+, NO more: the making of, C.A.D.A: video-acción : sobre arte y política, Llamamos a intervenir la ciudad con la consigna: NO +
Location: Recorded in Santiago, Chile, between 1979-1985 (circa 1983).
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): NO mas: Las mujeres votamos NO+, NO more: We, women, vote NO+, Mujeres votamos NO+, We, women, vote NO+, Hacer historia
Location: Recorded in Santiago, Chile, in August 1989.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): Shine of the strike: video performance on art and politics (unedited footage I)
Location: Filmed in Santiago, Chile, in 1981.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita, and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the 'Escena Avanzada', CADA incorporated strategies of theatricality and performance a...
Alt Title(s): Shine of the strike: video performance on art and politics (unedited footage II)
Location: Filmed in Santiago, Chile, in 1981.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita, and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the 'Escena Avanzada', CADA incorporated strategies of theatricality and performance a...
Alt Title(s): Scene inversion: video/action on art and politics (scrolling of performance synopsis : English version), C.A.D.A: video/action on art & politics
Location: Recorded in Santiago, Chile, on Oct. 17, 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): El neon es el arma
Location: Filmed in Santiago, Chile, in April 1982.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): ¡Ay Sudamérica!: video/action on art and politics (unedited footage)
Location: Recorded in Santiago, Chile, on July 12, 1981.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): Making of El fulgor de la huelga, Shine of the strike: video performance on art and politics : the making of, Making of Shine of the strike, C.A.D.A: performance : sobre arte y política (making off) [sic]
Location: Filmed in Santiago, Chile, in 1981.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita, and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the 'Escena Avanzada', CADA incorporated strategies of theatricality and performance a...
Alt Title(s): Making of A la hora señalada, C.A.D.A: performance : sobre arte y política (making off) [sic], El neon es el arma
Location: Filmed in Santiago, Chile, in April 1982.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): Widow, C.A.D.A: prensa acción : sobre arte y política
Location: Recorded in Santiago, Chile, in September 1985.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the ‘Escena Avanzada’, CADA incorporated strategies of theatricality and performance as...
Alt Title(s): Escritura en el cielo
Collection Title(s): Hemispheric Institute archive
Location: Recorded in New York City on June 2, 1982.
Synopsis: This is a video documentation of the writing of the poem 'La Vida Nueva' in New York City's sky. For this 'performance-acción' or ‘poesía-acción’ (‘poetry-action’), five planes drew white smoke letters silhouetted over the blue sky. The poem was written in Spanish as form of recognition for all the minority groups all over the world. The photographs of this ‘poesía-acción’ are included in the boo...
Alt Title(s): Scene inversion: video/action on art & politics (unedited footage I and II)
Location: Recorded in Santiago, Chile, on Oct. 17, 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the Escena Avanzada, CADA incorporated strategies of theatricality and performance as an essential element to all its art actions, while questioning the practices and institutions of all politics and conceiv...
Alt Title(s): CADA photographic documentation: Viuda, Ruptura, Para no morir de hambre en el arte, El fulgor de la huelga, Inversión de escena, ¡Ay Sudamérica!, A la hora señalada, No +
Location: Footage captured in Santiago, Chile, between 1979-1985.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the 'Escena Avanzada', CADA incorporated strategies of theatricality and performance as an essential element to all its 'art actions', while questioning the practices and institutions of all politics and con...
Alt Title(s): Conference on the publication of RUPTURA journal (unedited camera material)
Location: Filmed in Santiago, Chile, in 1982.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita, and novelist Diamela Eltit), who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the 'Escena Avanzada', CADA incorporated strategies of theatricality and performance ...
Alt Title(s): For not dying of starvation in art: video/action on art and politics, C.A.D.A: video-accion sobre arte y politica
Location: Filmed in Santiago, Chile, on Oct. 3, 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the 'Escena Avanzada', CADA incorporated strategies of theatricality and performance as an essential element to all its 'art actions', while questioning the practices and institutions of all politics and con...
Alt Title(s): For not dying of starvation in art: video/action on art and politics (scrolling of performance synopsis : English version), C.A.D.A: video/action on art & politics
Location: Filmed in Santiago, Chile, on Oct. 3, 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the 'Escena Avanzada', CADA incorporated strategies of theatricality and performance as an essential element to all its 'art actions', while questioning the practices and institutions of all politics and con...
Alt Title(s): For not dying of starvation in art: video/action on art and politics (unedited footage)
Location: Filmed in Santiago, Chile, on Oct. 3, 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the 'Escena Avanzada', CADA incorporated strategies of theatricality and performance as an essential element to all its 'art actions', while questioning the practices and institutions of all politics and con...
Alt Title(s): Scene inversion: video/action on art & politics (unedited footage III)
Location: Recorded in Santiago, Chile, on Oct. 17, 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the Escena Avanzada, CADA incorporated strategies of theatricality and performance as an essential element to all its art actions, while questioning the practices and institutions of all politics and conceiv...
Alt Title(s): Scene inversion: video/action on art & politics
Location: Recorded in Santiago, Chile, on Oct. 17, 1979.
Synopsis: The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the Escena Avanzada, CADA incorporated strategies of theatricality and performance as an essential element to all its art actions, while questioning the practices and institutions of all politics and conceiv...